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The Flute: Corrigenda

Bold type in column 3 denotes text both as currently printed and as it should read when corrected. Entries in blue have been made in the second printing (US paperback), available here.

Page

Location

Correction

vi

caption 7

Replace current caption with: Drummer and fifer from Leonhard Fronsperger, Von Kriegss Regiment und Ordnung, 1555

vii

caption 38

For 1825 read 1824

3

verse, col.1 l.3

for missfälle read missfällt

17

box, left column, 7th line up

For Dorian, like the minor scale read Dorian, like the ascending melodic minor scale

 

box, left column, 5th line up

For Aeolian, like the ascending melodic minor with natural 7th read Aeolian, like the natural minor

20

para. 3 l. 3

Switch dates to read (1989, 1979)

 

add to end of para. 3

(see p. 39)

27

para. 2 l. 1

For Burgundy read Switzerland

36

para. 2 2nd line up

For two octaves and a third read two octaves and a fifth

42

para. 4 2nd line up

For feint less and less [lit. gradually] read gradually moderate it

  3 lines up

Delete , as such the first in recorded history

43

l. 5

For (1503) read (fl. 1499-1503, the earliest flute maker in recorded history)

  l. 6

For 1523-55 read 1523-44

 

para. 2, 2-3 lines up

For The Doge of Venice's three pifferi read Three pifferi of the Doge of Venice

46

2nd para. up l.1

For These few read These odd

48

para. 3 l. 4

For pitch read pitch of extant renaissance flutes

53

para. 2 l. 4

For C2 read C2 or C3

 

para. 3 l. 5

For C1 read C2; for C2 read C3

54

caption, l. 5

For contratenor read altus

57

last line

After written pitch insert (sounding an octave higher)

58

l. 18

For Pfifre read Phifre

61

verse, col. 2 l. 3

Alters to the violent noise of a rolling thunder

 

para. 2, l. 3

For 1743 read 1745

65

l. 4

For violas read treble recorders [if necessary substitute works for compositions in l. 8 and flute for instrument in l. 10]

 

l. 21

For two octaves read an octave and a fifth

72

para. 7, l. 3

For 1674 read 1673

74

l. 4

For outlook: he produced the first book of French Sonatas read outlook, if he produced the first book of French solo Sonatas

81

l. 3

After in Ab insert (lowest note Bb) [b is music flat]

 

l. 4

After in A insert (lowest note B)

82

para. 4, penultimate and last lines

For been played only in a languorous manner read been most familiar in a languorous role

85

para. 5 l. 6

For Messaah read Messiah

86

para. 2 l. 8

For obbligati read obbligato

89

3 lines up

For [between] read [among]

90

l. 1

For 1762 read 1755

94

2nd para. up, l. 4 up

For 'Agnus Dei' read 'Benedictus'

96

l. 1

For provided no separate fingerings read provided few separate fingerings

112

box, 8 lines up

For G#, C# read G#, D#, C# [# is music sharp]

116

l. 5

for pianoforte, part read pianoforte part

123

6 lines up

For [Christophe] read [Monsieur]

136

para. 2, l. 2

for evidently read indeed

137

para. 2, l. 3

for (1802) read (1804)

 

last para

Indent lines 2-4 by 1 em (the paragraph is a quotation)

141

5 lines up

for 1837 read 1847

144

caption 38

For 1825 read 1824

145

para. 1, last line

For obsolete read obsolescent

 

para. 4 l. 3

For suggested read proposed

147

para. 2, 3 lines up

For instrument read instruments

 

2nd para. up, l. 3

For right fifth read left fifth

 

2nd para. up, l. 4

For left thumb read right thumb

148

3rd para. up, last line

For 81 read 83

150

para. 4, first sentence

Bayr's other claim to fame was the ability to play several notes at once, which aroused such skepticism that he took the trouble to publish a multiphonics manual.

152

para. 2 l.2

For 1720s read 1780s

160

box, entry for 1826

for 1785 read a1785

161

box, between entries for 1848 and 1849

remove extra line spaces and close up

169

l. 1

Delete , while the keys for F# and D# both stood open rather than closed

170

para. 3 ll. 4-5

Delete sentence beginning Also in 1833 and close up [loosen tight lines in para. 1 to regain the line lost by deletion?]

173

para. 3 l. 5

Delete in Paris and close up

180

para. 3 2 lines up

For Eduard Heindl read Hans Haindl

185

l. 2

For B/Bb read C/Bb (b is music flat)

189

table, s.v. 1907

For an 1867 flute with closed G# read an 1867 flute with open C# and open or closed G#

193

l. 6

After (1882) insert a comma

 

para. 4 l. 8

After Heindl insert (1837-96)

200

para. 3 l. 7

For -entrpreneurs read -entrepreneurs

210

para. 3 l. 4

For self-contradictory statements read mutually exclusive remarks

212

para. 2 ll. 1-2

For appearing almost immediately in a bilingual French and German edition in Hamburg (1795) as well as in thirty subsequent editions read soon appearing in a bilingual French and German edition in Hamburg (c1812) as well as in thirty other editions

 

para. 2 l. 4

For nothing read little

 

para. 2 l. 5

Delete only

 

para. 2 l. 6

For outlived usefulness of that material read outlived much of that material's usefulness

218

l. 2 after box

For 1912 read 1913

 

l. 4 after box

For a suite read ballet suites

220

para. 2 l. 2

For Another pupil, Adolphe Hennebains, reported read Moyse reported of another Taffanel pupil, Adolphe Hennebains

223

para. 2 l. 1

For of Taffanel's pupils read flutists

225

para. 2 l. 8

For a work of his own read Paggi's

 

para. 2 l. 9

For Remembranza read Rimembranze

233

para. 2 l. 9

For Divertimento read Divertimentos

 

para. 2 l. 10

For is an extremely read provide a

236

l. 9

For English read British

para. 2, 7 lines up

For His colleague, oboist Eugene Goosens, read The conductor Eugene Goosens

para. 2, 3 lines up

For the oboist read Goosens

237

l. 13

Add and three other titles before in Berlin

238

para. 3 l. 7

For Bb/Eb read Eb/Bb (b is music flat)

 

para. 4 l. 4

For a silver instrument read silver instruments

 

para 4. l. 5

Insert before full point (alto flute)

253

para. 3 l. 1

For prevent the growing read hold back the budding

262

para. 3 l. 2

For need read needed

269

para. 1 after box, l. 5

For Riedemeister read Reidemeister

272

l. 5

ditto

 

7 lines up

For (1915 - ) read (1919-92)

 

3 lines up

For stokes read strokes

 

para. 2, 2 lines up

delete principally

277

l. 7

For popoularity read popularity

279

para. 1 ll. 3-4

For Prasana Bolanath read Bholanath Prasanna

 

para. 3 l. 5

For Guggenmusiken read Cliquen

281

para. 2 l. 2

For seems essentially to have ceased, since read has essentially ceased, because

282

add new entry after NGD2

NLI [TAB] William Waterhouse, The New Langwill Index (London: Tony Bingham, 1993)

284

l. 5

For 1989-89 read 1989-98

 

l. 6

ditto

 

para. 3, 4 lines up

Close up double slash in web URL

287

para. 3 l. 8

For 2/1929 read 1914 R/1929

291

l. 3

For Art real Arlt

 

note 18

For 1984-8 read vols. I (1984)-III (1986), V (1988)

 

note 19

For Voices and Instruments, 192-9 read Music and Instruments, Ch. 10

292

l. 14 (counting headings)

For musicale de Tons, Sons et Accords read musical des Tons, Sons et Accordz

 

l. 15 ditto

For a Neuf read à Neuf

 

para. 1 of main text, l. 12

Close up double slash in web URL

295

note 22, l. 2

For Smith mistranslates the key verb faindre (to feint), so that her reading ('The Renaissance Flute' 18), 'for descending one must lessen it [the wind] little by little following the line of the music . . . ', mistakes the sense. read In the first printing of this book I translated the key verb faindre as 'to feint.' Although it sometimes has this meaning, I now think the context indicates that Smith's reading ('The Renaissance Flute' 18) is correct.

 

note 32

For fingt read fynt

297

note 1

For III, 137 read III, iii, 2

 

note 5

For III, iii, 7 read III, iii, vii, ii

298

para. 1 of main text, l. 3

For 28 read 18

 

same para., l. 4

For 29 read 19

299

para. 3, 4 lines up

For Riedemeister read Reidemeister

301

note 10

For French Flute School read Catalogue of French Works

note 26

For purlanetto read Furlanetto

304

note 14

For rubric read bibliographic essay

314

note 18

Replace current note text with Bayr, 1ter Theil der Schule für Doppeltöne auf der Flöte (Vienna: Author, n. d.)

317

5 lines up

For 1838 read 1839

325

note 16

For 7 read 4

326

note 43

For rubric above read bibliographic essay, paragraph 1

 

para. 1 of text, l. 14

close up double slash in web URL

 

para. 1 of text, 7 lines up

For McMcCutchan read McCutchan

330

note 6

For 51 read 54

331

note 38

For 1.4 read 2.4

332

para. 4 l. 2

For scale of the modern flute read Scale of the Modern Flute

 

note 4 l. 3

Delete http:// and close up

335

col. 1: Accademia Filarmonica

For Florence read Verona

col. 2: Art, Wulf

Correct to Arlt, Wulf, and move entry to come below Arita, Masahiro

336

col. 1: Barone, Clement

Move entry to come below Barnard, Ernest

 

col. 1: Becker, Janet

Add page reference 306

 

col 3: Bolanath, Prasana

Move entry to p. 344 as Prasanna, Bholanath

337

col. 1: Byrt, John

Add page reference 304

338

col. 1: Delusse, [Charles]

Correct to Delusse, [Monsieur]

 

col. 1: Denner, Jacob

For 2100 read 210

 

col. 1: Dobbins, Frank

Add page reference 42 between 39 and 294

340

col. 1: after graduation rates

Add entry for Graeff, Johann Georg, 119

 

col. 2: Haindl, Hans

Add page reference 180

col. 2, last entry

After Eduard insert Martin; delete 170, 180,

342

col. 2, after Lyon

Add entry for Lyons, Darius, 226

344

col. 3: Riedemeister, Peter

Correct to Reidemeister, Peter, and move entry to come below Reichert, Matthieu André

346

col. 3: transposing

Add page reference 80 between 76 and 85

 

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