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References
Alpers, Svetlana 1988 Rembrandt's Enterprise: The Studio and the Market. Chicago: University of Chicago Press.
Arom, Simha 1984 African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge, Cambridge University Press.
Basso, Alberto 1979 Jean-Sébastien Bach. 2 Vols., Paris, Fayard. Trans. of Frau Musika: La vita e le opere di J.S. Bach. Le origini familiari, l’ambiente luterano, gli anni giovanili, Weimar e Köthen. Turin, EDT musica.
Baxandall, Michael 1988 Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. New York: Oxford University Press.
Blacking, John 1973 How Musical is Man? Seattle, University of Washington Press.
Denora, Tia 1995 Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803. Berkeley, University of California Press.
Fauquet, Joël-Marie and Hennion, Antoine 2000 La Grandeur de Bach: L’amour de la musique en France au XIXe siècle. Paris, Fayard.
Foucault, Michel 1969 “Qu’est-ce qu’un auteur?”, Bulletin de la Société française de philosophie 69.3: 73-104. In English as “What is an Author?” Language, Countermemory, Practice. D. F. Bouchard. Ithaca, Cornell University Press, 1977: 113-138; also as “What Is An Author?” in Donald Preziosi, ed., The Art of Art History: A Critical Anthology (Oxford History of Art). New York: Oxford University Press, 2009: 299-314.
Hennion, Antoine 2010 “Virtuosité ou performance: révéler la musique?”, Ateliers du LESC 35: 141-152. In English as “‘As Fast As Possibly Can…’ Virtuosity, a Truth of Musical Performance?”, in Critical Musicological Reflections. Essays in Honour of Derek B. Scott, S. Hawkins ed., Farnham, Ashgate, forthcoming 2011.
Laborde, Denis 1992 “Vous avez tous entendu son blasphème! Qu’en pensez-vous?” Dire la Passion selon Saint Matthieu, selon Bach, Ethnologie française XXII (1992-3): 320-336.
1998 “Bach à Leipzig, vendredi saint de 1729”, in Jacques Cheyronnaud, Élisabeth Claverie, Denis Laborde et Philippe Roussin (dir.), Critique et affaires de blasphème à l’époque des Lumières. Paris, Honoré Champion: 129-184.
Latour, Bruno 1993 We Have Never Been Modern. Cambridge, Mass., Harvard University Press.
Souris, André 1976 “Bach aujourd’hui” [1955], Conditions de la musique et autres écrits. Bruxelles, Éditions de l’Université: 199-203.
Zilsel, Edgar 1926 Die Entstehung des Geniebegriffes; ein Beitrag zur Ideengeschichte der Antike und des Frühkapitalismus. Tübingen, Mohr.
Colophon
Published in the USA for worldwide electronic distribution by Music Word Media Group, Ltd. 6 Warren St Suite 1F Hudson NY 12534, USA
A Custos publication.
ISTC: Not yet assigned
doi: 10.5726/9781937330156
ISBN 978-1-937330-15-6
Library of Congress Control Number: Not yet assigned
This is a version, slightly modified by the author, of an essay first published in French as “Soli Deo Gloria: Bach était-il un compositeur?” Gradhiva, 12 (2010): 42-57.
Antoine Hennion, MINrefES-ParisTech, CSI - Centre de sociologie de l'innovation, CNRS
antoine.hennion@mines-paristech.fr
Translation by Stephen Thomson Moore
Edited by Rebecca Winzenried
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